5 افلام جديده من البوكس اوفيس تفضل حمل تورنت صارووووخ
نبدا اولا مع فلم Eragon
Rated: PG for violence.
Cast: Edward Speleers, John Malkovich, Djimon Hounsou, Jeremy Irons.
Director: Stefen Fangmeier.
Family call: If you like your family, don't take them to this.
Running time: 99 minutes.
Eragon" is based on a book by a 19-year-old with a script that seems to have been written by a 12-year-old.
Actually, four grown-up writers are credited with the screenplay, which gives everyone involved a decent enough alibi: "No, it wasn't me who wrote the dialogue — it was one of the other guys."
The only way "Eragon" works is as unintended comedy. Maybe someday midnight movie crowds will embrace the silly story of a dragon-riding farmboy as a "Scary Movie"-like parody of Tolkien-style epics. Anyone over the age of 3 is out of luck if they hope to enjoy the film as serious drama.
"Eragon" takes place in the fantasy land of Alagaësia, where dragons soar, wizards cast spells and clichés grow on trees. A misprogrammed android called Edward Speleers stars as Eragon, a boy who finds a dragon egg and discovers his destiny is to ride atop the fire-breathing beast that hatches from it and lead an army of rebels to overthrow an evil king.
When Eragon discovers his fate, thanks to helpful side characters who dole out paragraphs of long-winded exposition, his face contorts into a "shock" expression you might find in a middle-school drama. More believable looks of bewilderment can be found on the faces of your fellow viewers, who have confronted their destiny to endure 99 minutes of awful acting.
Hayden Christensen should send a thank-you note to Speleers, because the former young Darth Vader will no longer have to endure the full brunt of fanboy message board ire.
Eragon's activities involve squealing wrestling matches with his touchy-feely cousin, idiotic conversations with his doltish mentor, Brom (Jeremy Irons), and, most entertainingly, telepathic conversations with his pet dragon, Saphira, who is voiced by Rachel Weisz. When Eragon and Saphira "speak" to each other, it's the greatest.
The boy stares at the computer-rendered creature with a blank stare and closed mouth as his voiceover booms in the theater speakers. This is comical enough itself, but when Saphira talks back it's even better. There's something about a soft, feminine voice emitting from a fire-breathing monster that's inherently funny, like in those credit card commercials that satirize identity theft by having grandmas talk in husky truck-driver voices.
Even though Speleers is a poor actor, at least he can fall back on the excuse that he's quite possibly a robot. John Malkovich is genuine flesh and bones, but that doesn't stop him from playing evil King Galbatorix — can a character named Galbatorix be anything other than evil? — like an inflatable front-yard snowman decoration. To call Galbatorix a windbag would be an insult to the snowmen.
Director Stefen Fangmeier is a visual-effects supervisor who worked on "Terminator 2: Judgment Day," "Saving Private Ryan" and "Master and Commander: The Far Side of the World." As a director, Fangmeier is an excellent special-effects supervisor. And as a movie, "Eragon" is a good reason to stay home and watch TV.
بوستر الفلم
والان فلم Charlotte's Web
Rated: G
Director: Gary Winick
Producer: Jordan Kerner
Cast: Dakota Fanning, Julia Roberts, Steve Buscemi, John Cleese, Oprah Winfrey
Writer: Susannah Grant, Karey Kirkpatrick, E.B. White
Time: 1:53
Genre: Animation
بوستر الفلم
الان فلم The Holiday
any given day, I accidentally call my neighbor by his dog's name and have trouble locating a strainer in my own kitchen, mid-pasta boil.
But the two lovelorn bachelorettes starring in "The Holiday" swap homes for two weeks, and just 24 hours into the cutesy charades, they're BFFs with their neighbors and able to pull a butter knive from a hidden drawer better than David Copperfield making a cameo on the "Rachel Ray" show.
Listen, I have no problem straining to suspend my disbelief when it comes to passing off a DeLorean as a time machine or watching Toby McGuire vault off buildings in the pursuit of all things good. But if I'm going to abandon my better sense to indulge in some entertainment, the payoff needs to be better than some domestic clairvoyance and believing someone who looks like Kate Winslet could fall for someone who looks like Jack Black.
"The Holiday" stars two 30-something ladies who are unlucky in love and needing, well, a holiday. Iris (Winslet) is a society writer for a London newspaper who dwells in a cute countryside college and just learned her former flame and current infatuation, played by Rufus Sewell, is otherwise engaged. Meanwhile, Amanda (Cameron Diaz), is a cold, career-obsessed movie trailer maker who just found out that her latest stud (Ed Burns) was shagging his secretary. And after a chance online meeting – voila – the two ladies agree to swap homes and cars for two weeks and embrace it as an opportunity for meditation and social epiphany. By the way, Iris and Amanda's online encounter marks the first time in two years that two people spoke online about visiting the other's home – and "Dateline NBC's" Chris Hanson wasn't involved.
Both ladies swear off men in public, but in private they ache to be understood and appreciated. And conveniently, both find unlikely suitors in their borrowed lives. Amanda pines for Graham (Jude Law), a smooth operator with some secret ladies in his life who also just happens to be Iris' brother. Meanwhile, Iris spends most of her time platonically hanging out with elderly neighbor Arthur (Eli Wallach), a former Hollywood screenwriter who slowly builds her self esteem – enough so to crush on up-and-coming score composer Miles, played by Jack Black.
This is the kind of movie where you can expect (and dread) to see the leading ladies playing air guitar soliloquies to girl power rock ballads. It's a movie that makes the Kraft Christmas party seem cheesy by comparison. In other words, you get exactly what you expect.
That said, the movie does grow on one midway through, if merely for Wallach's surprising onscreen charisma or out of curiosity to see if there will be a scene where Jude Law simply stares at himself in the mirror for five minutes before trying to make out with his reflection. This will happen one day – mark my words.
You also get an acting lesson in "The Holiday," with Winslet and Law clearly outshining their American counterparts. Black, who could be accused (and will be by me) of selling out, is clearly out of his element starring in a movie that will likely be rented alongside a pint of Ben & Jerry's. Sadly, Diaz is not out of her element.
Writer / Director Nancy Meyers has done better work, such as "Father of the Bride" and even "Something's Got to Give." The biggest problem with "The Holiday" is that the characters live in a bubble of abundant contrivances and conveniences. Sure, they have problems, but they can be equated to the white flakes in a Christmas globe – shake it up til it's pretty and watch the scattered bits sink slowly and predictably back down to earth. Come to think of it, those damn globes are more entertaining.
The Holiday" is rated PG-13
الان فلم happy feet
Starring (voices) Elijah Wood and Brittany Murphy. Directed by George Miller.
Singing and dancing penguins? My six-year-old daughter couldn’t have been more delighted and entertained at the screening of George Miller’s animated wonder “Happy Feet.” And despite the film’s decidedly serious undertones, I also found myself immersed in the invigorating music and stunning visuals. Affectionately dubbed “March of the Penguins: The Musical,” “Happy Feet” is like a “Moulin Rouge” for kids, where contemporary tunes are used to convey emotions through ingenious interplay between our gorgeously computer-animated creatures.
Those who are familiar with the above-mentioned documentary will recognize the mating ritual among emperor penguins, only with added songs, in particular Norma Jean (voiced by Nicole Kidman) singing Prince’s “Kiss” in order to attract the attention of Elvis-strutting Memphis (Hugh Jackman). As we know, the males stay behind to protect the eggs while the females go off to get food. Unfortunately, Memphis has a tiny accident with his offspring, but all seems well until young Mumble (Elijah Wood) is born. While all the other young penguins have beautiful voices, Mumble can’t hold two notes together, but boy can he dance! Unfortunately, conformity is the name of the game in the herd, and when his “difference” becomes not only obvious but also infectious — the other penguins begin tapping their feet as well — the elders exile him. Mom is heart-broken but dad agrees that dancing just “ain’t penguin” and allows his son to leave.
Off on his own, Mumble encounters danger (my daughter was terrified by the evil seal), but he manages to bump into a group of smaller penguins with Mexican accents (some voiced by Robin Williams) and Latino attitudes. Talk about stereotypes! Through them he discovers the secret behind the food shortage in his community, which the elders always insisted was caused by a “higher power” and that nothing could be done about it. But Mumble learns of “aliens” (human beings), who are using up the fish supply and decides to find them in order to make them aware of what they’re doing.
There are plenty of issues being juggled in “Happy Feet,” including religion, racism and pollution, and the themes don’t always meld comfortably. What works marvelously are the breathtaking animated sequences. There’s one scene where Mumble and his pals slide down ice mountains and into the ocean where they are surrounded by whales — the elegance and precision of each shot is comparable to the best in live-action features. Absolutely mesmerizing. And the landscape is so vast and beautiful that “jaw- dropping” is the only adjective that comes to mind.
Some kids may find the socio-political messages in “Happy Feet” to be a tad complex, but they’ll easily fall in love with the music and characters. Not to be missed.
واخيرا فلم Blood Diamond
Hollywood.com Says
Blood Diamond maintains a certain level of intensity that will certainly stir the soul and perhaps inspire activism. But unfortunately, it also tries a little too hard to convey its message about global conflict.
Story
Diamond is set against the backdrop of civil war and chaos in 1990s Sierra Leone, where we once again witness sheer, mindless brutality against innocent people. It doesn’t much bother Danny Archer (Leonardo DiCaprio), though. As a South African mercenary, he has wheeled and dealed most of his life to survive. He simply labels the atrocities as “TIA,” as in “This is Africa.” His latest gig is smuggling conflict diamonds out of the war-torn area, but Archer’s jaded point of view is changed slightly when he joins Solomon Vandy (Djimon Hounsou)--a local fisherman whose family has been ripped away from him--on a quest for a rare pink diamond that could transform their lives. With the help of American journalist Maddy Bowen (Jennifer Connelly), who's there to try and make a difference, the two men trek through dangerous rebel territory--a journey that could save Solomon's family and give Archer the second chance he thought he would never have.
Acting
Both DiCaprio and Hounsou are already being Oscar-touted for their performances--and deservedly so. DiCaprio once again plays an antihero--you know, the R-rated guy you aren’t quite sure you trust--but he does so this time with a very colloquial South African accent. It’s a bit jarring at first, as if the actor is trying to do a British accent but not very well. Then you realize how spot-on it actually is and marvel at the nuances DiCaprio incorporates into the performance. Matching him step for step is Oscar-nominee Hounsou (In America) as the tortured Solomon. Of course, it’s through his eyes we see just how horrific the situation is, and Solomon’s quiet determination to get his family back is etched over the actor’s chiseled features. Connelly is no slouch either, looking tousled and gorgeous, despite the hell she goes through. But a noted standout is Kagiso Kuypers, who--in his debut performance--plays Solomon’s young son, taken by the rebels and forced to become a killing machine. It just gives you shivers.
Direction
If you aren’t quite sure what a conflict, or “blood,” diamond is, they are stones that have been smuggled out of countries at war, which are then used as a way to pay for more arms, increasing the death toll and violence in the region. Back in the late ‘90s, at the height of the conflict diamond industry, only a small percentage of these gems got into the Western market, but it was still a very viable and profitable business. It has all been curtailed greatly since then--and Sierra Leone is currently at peace--but Blood Diamond is a way to remind us how precarious it still can be. Director Ed Zwick (The Last Samurai) hammers this home with vivid images of human cruelty and suffering. But unlike its counterpart Hotel Rwanda, which concentrated on one individual and how he dealt with the atrocities, there are actually too many angles to the Diamond story, too many messages. It diffuses the film’s impact and drags it down, rather than strengthen it. Still, the diamond industry might see a decline in sales.
الملف في المرفقات
سلاااااااااااااااااااااام وارجوووووووووووووووو الردود الحلوه
ايوه انا نزلت happy feeet وكان الوضوح كام الان انا بدي انزل ايراجووون اعتقد انه كلهن كام وهي جاهزه للحرق على سي دي للمشاهده على الدي في دي او الجهاز الشخصي او بواسطة الدايمون تولز ارجو اني افدتك يااحلى مستر فايروس
مجهود رائع وانامكسوف اقولك انى معرفش يعنى ايه تورنت يعنى هو فيلم ولا مش فيلم ولا لينك لفيلم ولا بيحتاج برنامج ايه وعلى العموم شكرا على المجهود فى وضع الافلام ده
5 افلام جديده من البوكس اوفيس تفضل حمل تورنت صارووووخ 
العرض العادي
